WikiSubmission · Brand Guidelines

The visual covenant

WikiSubmission ships under three palettes and two modes. This document defines the system that holds them together — the tokens, typography, motifs, and voice that read the same in every theme.

§ INorth starWhy this exists
Scripture first

Every visual decision serves the reading. Surfaces stay quiet so the verses can speak.

Editorial, not corporate

Type-led layouts, hairline rules, generous whitespace. We borrow from broadsheets, not dashboards.

Theme-honest

Three palettes, two modes. The brand is the system, not a single colorway.

§ IIPalettesThree documented

This page follows your active palette — switch via the theme control in the header to see the chrome adapt. The swatches below always show all three palettes at their canonical hex values.

ink
Ink on Parchment
Editorial. Default. The canonical look.
Light
bg
#F6F2EA
fg
#1A1715
accent
#6B3410
rule
#D9CFB9
Dark
bg
#14110E
fg
#EEE4D0
accent
#D4A373
rule
#2A241E
violet
Sharpened Violet
Contemporary. High contrast. Modernist.
Light
bg
#FAFAFA
fg
#121214
accent
#5A1FD4
rule
#E5E5EA
Dark
bg
#0C0C0E
fg
#F4F4F5
accent
#B48CFF
rule
#27272C
mono
Monochrome
Minimal. True black on warm white.
Light
bg
#F4F4F2
fg
#0E0E0D
accent
#0E0E0D
rule
#D8D8D4
Dark
bg
#0A0A09
fg
#F1F1EC
accent
#F1F1EC
rule
#23231F
§ IIITokensThe semantic API

Always reference these tokens — never the underlying palette hex. The token layer absorbs theme switching so a single component reads correctly in every palette × mode.

--ed-bg
Page background
--ed-fg
Primary text
--ed-fg-muted
Secondary text, captions
--ed-accent
Highlights, links, key motifs
--ed-accent-soft
Tinted accent surface
--ed-rule
Hairline borders, dividers
--ed-bg-alt
Muted surface (cards, callouts)
--ed-surface
Card surface (elevated)
§ IVTypographyFive families
Cormorant Garamond
Display, headings, italic accents
var(--font-cormorant)
In the name of God, Most Gracious, Most Merciful.
Source Serif 4
Body copy, paragraphs, reading
var(--font-source-serif)
Praise be to God, Lord of the universe, Most Gracious, Most Merciful.
JetBrains Mono
References, verse keys, tokens, code
var(--font-jetbrains)
1:1 · Sura 112:1–4 · --ed-accent
Amiri
Arabic Quranic text
var(--font-amiri)
بِسْمِ اللَّهِ الرَّحْمَٰنِ الرَّحِيمِ
Glacial Indifference
UI eyebrow, uppercase metadata
var(--font-glacial)
CHAPTER · VERSE · TRANSLATION
§ VLogoMark variants
WikiSubmission logo — Transparent
Transparent
Default. Any background.
WikiSubmission logo — Black
Black
Light backgrounds only.
WikiSubmission logo — White
White
Dark backgrounds only.
Clear space

Reserve at least 30% of the mark's height as padding on all sides. Never let other content encroach.

Don't

Recolor, distort, rotate, or apply effects. Use the provided variants only.

§ VIComponentsEditorial primitives
.ed-link
.ed-cta
Open the Quran
.ed-btn-primary
Learn more
.ed-btn-ghost
§ VIIGeometryNumbers, fixed
Max content width
1240px
Section padding
20–40px horizontal · 80–120px vertical
Border radius
0–3px (squares preferred · buttons 2px · cards 3px)
Hairlines
1px solid var(--ed-rule)
Vertical rhythm
8 · 12 · 16 · 24 · 32 · 48 · 64 · 96
§ VIIIVoiceHow we sound
Scholarly

Precise, sourced, footnoted. Never speculative.

Reverent

Quiet, deliberate. The verses are the focus.

Plain

No jargon. A 12-year-old can read every page.

Timeless

No trends. No dates in the design language.

§ IXApplicationDo · Don't
Do
  • Use --ed-* tokens for every color reference.
  • Pair Cormorant displays with Source Serif body.
  • Keep hairlines at exactly 1px, never thicker.
  • Let Arabic breathe — generous line-height (1.7+).
  • Use the section-number motif (§ I, § II) for chaptering.
  • Test every page in all three palettes, both modes.
Don't
  • Hardcode hex values in components.
  • Round corners beyond 3px — squares are the language.
  • Decorate empty space — silence is part of the layout.
  • Mix more than two type families on a single screen.
  • Use icon-only buttons without aria labels.
  • Recolor or distort the logo mark.
41:53We will show them Our proofs in the horizons, and within themselves, until they realize that this is the truth.